夏季艺术BIPOC驻留

2024年6月24日- 7月19日

艺术学院 & 设计 + Performing 艺术 Division at Alfred University’s BIPOC (Black, 土著, People of Color) Artist-in-Residence program provides early-career BIPOC artists with time and space to dive deeply into their artistic research and practice, 以及创造性的努力.

马上申请

Set within a bucolic valley of the Finger Lakes region, the residency occurs during Alfred University 夏天 艺术 programming, providing opportunities for artists to also participate in a fully funded workshop at the 艺术学院 & 设计, as well as to interact with other local and visiting resident artists.


资格

Early to mid-career artists who identify as Black, 土著 and/or People of Color.

日期

2024年6月24日- 7月19日

Each residency lasts a minimum of 2 weeks and up to 4 weeks.


不顾

一奎(Coy)顾
yukuigu@yahoo.com
6月26日至7月21日

一奎(Coy)顾 was born in 1983 in Nantong, China and emigrated to the United States at the age of seven, 我在奥尔巴尼长大, NY. He has a BFA from Long Island University and an MFA from the Pennsylvania Academy of the Fine 艺术. He has exhibited his work nationally in New York, Miami, Philadelphia, Washington, D.C.波士顿和圣. 路易; and internationally in London, Berlin, and Siena, Italy. He has been an artist in residence at the School of Visual 艺术, and has lectured at Tyler 艺术学院, 葛底斯堡学院, 和Fontbonne大学. 他在《k8彩乐园app官网下载》杂志上发表过评论, 华盛顿邮报, KunstForum国际, 费城问询报, 丹佛艺术评论, 和耶鲁每日新闻. His work has appeared on the cover of the Lower East Side Review, and in Fresh Paint and Art Maze. His work is held in the permanent collections of the Siena Art Institute, 惠顿学院, 卡姆登县学院, 以及众多私人收藏. He resides in Philadelphia and teaches as Associate Professor of Art at the College of Southern Maryland. The bulk of his time is spent in the studio, where he is currently plotting his takeover of the international art world, 虽然基本上是无害的.

玉葵娇贵的艺术品

项目建议书: To produce a series of portraits of BIPOC subjects from the Alfred University and local community using smart devices of their own as the surface. These devices can be older models, no longer used, and ideally with cracked or damaged surfaces. The wear and tear of their devices would echo the lived experiences of my subjects, and become an integral part of the finished portrait/object.


lola ayisha ogbara in black and white in an open warehouse

萝拉·阿伊莎·小原
leaux@lolaogbara.com
7月2-22

小原绫沙(b. 1991) is an artist, curator and writer from Chicago, Illinois. Her practice explores the multifaceted implications and ramifications of being in regards to the Black experience. Ogbara works with clay as a material in order to emphasize a necessary fragility which symbolizes an essential contradiction implicit in empowerments. Sculpture, sound, and installation art is the praxis of Ogbara's interdisciplinary practice. She holds a BA from Columbia College Chicago and an MFA from Washington University in St. 路易. Ogbara has exhibited in art spaces across the country including The Luminary, 海德公园艺术中心, 明迪·所罗门画廊, 以及Kavi Gupta画廊. She also received numerous fellowships and awards, including the Multicultural Fellowship sponsored by the NCECA 52nd Annual Conference, the 艺术 + Public Life and Center for the Study of Race, 政治 & Culture Residency at the University of Chicago, the Coney Family Fund Award from the Chicago Artists Coalition, and the Chicago DCASE Esteemed Artist Award. Ogbara is currently based in Chicago, Illinois.

大原百合的作品

项目建议书: Throughout the course of Alfred University's BIPOC Artist-in-Residence program, I plan to engage the campus' large indoor ceramic kiln facilities to create a body of work incorporating large scale ceramic sculpture with the projection of sound and/or lithographic printing in mind. 特别是, I plan to expand upon The Black Haptic Consciousness, an ongoing interdisciplinary study of history, 民间传说, 互联性, matrilineage and the compulsion of haptic memory and embodied knowledge in clay practices.

Tatiana Florival / tatianaflorival.com / 5月16日- 6月12日

Tatiana Florival is a NYC-based artist-filmmaker. She graduated with a BFA in Painting from the Rhode Island School of 设计 in 2018. Her work has been shown in galleries such as Kunstraum Gallery in Brooklyn, NY, 以及普罗维登斯的伍兹-格里画廊, RI. She has also screened her work in theaters such as the Bijou Theater in New Haven, CT.
Her work aims to investigate and at times propose explanations for natural phenomena, 比如死亡, 起源, and the connection between mind and body. 她对观察很感兴趣, 模仿, and interpretation of those natural patterns, and translating those observations into imagined landscapes, 字符, 和故事.


克莱尔·胡/ clarehu.网 / 5月16日- 6月5日

Haptic skips of woven textiles gone awry, the distortion of image dictated by the hand, 还有捉迷藏的游戏, 告知编织的使用, 修补图像和装置, to examine false histories and notions of the South. 通过使用慢速船, Clare Hu dissects how Southern myths are acted and re-enacted in the stories and objects surrounding them, 特别是, 留下的各种残骸.
Hu completed her BFA with a focus in Fiber and Material Studies at the School of the Art Institute of Chicago (SAIC), and has received additional training in textiles from the Gerrit Rietveld Academie in the Netherlands. 克莱尔已在芝加哥广泛展出, 我在国家美术馆, 画廊无人, Dfbrl8r, 及苏利文画廊, and has recently shown at the Textile 艺术 Center in Brooklyn, NY and Dream Clinic Project Space in Columbus, OH. She is a recent Hambidge Center fellow, and a past resident at the Textile 艺术 Center in Brooklyn.


阿德里安·阿奎莱拉/ adrianaguilera.com / 7月18日- 8月7日

Born in Mexico's industrial capital of Monterrey. Aguilera immigrated as a young adult to the U.S. where he settled in Austin, Texas in late 2000's. He received his BFA (2004) from The Autonomous University of Nuevo León, México. Working with a variety of mediums that include sculpture, 基于文本的工作, 印刷媒体, 视频公共艺术, 和安装, he researches the intrinsical essence that resides in objects. With an interest in scientific observation, 文化历史, 还有社会问题, Aguilera's work aboard our relationship with the physical and cultural spaces in which we (co)exist. He has exhibited both nationally and internationally at The Philbrook Museum, 当代奥斯汀, Artpace圣安东尼奥, 保险丝盒节, The Blanton Museum of Art at the University of Texas, 乔治·华盛顿·卡弗博物馆, and The Instituto Cultural de México in Paris, 法国. In addition to his practice he is an active member of the Austin-based contemporary arts collaborative Black Mountain Project. He currently lives and works in Austin, Texas.


雅各布·雷耶斯/ @jacoubreyes / 7月27日- 8月10日

I am a printmaker and installation artist based out of Orlando, Florida. 在我目前的工作中, I find and make materials and tools as part of an experimental aspect in my process. I salvage and transform found wood as a reflection of how marginalized and oppressed communities have been cast aside throughout history. 与这些, I carve detailed large-scale allegorical woodcuts based on the acculturation of the Caribbean and the world at large. From the sides of forgotten buildings to interactive handmade structures, my installation work incorporates sound recordings, 打印, and video elements that meld personal histories with global shifts. 通过这种方法, I can prioritize bridging the gap that connects our present and past with the hope of preventing historic recurrences. My work, built from found objects, holds and preserves history that viewers can experience firsthand.

Up to $2,500 sliding grants will be provided to cover travel, meals, or supplies.

  • 两周1500美元的资助
  • 3周$2,000
  • 4周$2,500

住房:免费, furnished 1-bedroom campus housing with access to full kitchen and laundry facilities.

Studio spaces are provided within Cohen Center for the 艺术 on Main Street, with available options on the 1st (2900 sq ft) or 2nd (3300 sq ft) floor.

There will be opportunity to exhibit or present in one of the galleries or performance spaces at Alfred University following the residency.

We are now accepting applications until February 1, 2024. All artists will be notified of their application decision by April 5, 2024.

请提交一个PDF文件, 由CV组成, 作品集(最多20张幻灯片), and letter of interest (max 2 pages) detailing: 1) project proposal during the residency program, 2)个人/艺术家陈述, 3)联系方式.

应用在这里

Artists are granted the option to participate in a fully funded 1-day, 1-week or 2-week 夏天 艺术 workshop during their residency. For more information on these workshops, please visit the 暑期艺术工作坊网站.

All artists must be fully vaccinated against COVID-19. Fully vaccinated is defined as having received their final dose of the vaccine two weeks prior to the event date. Representatives must show proof of vaccination in order to enter any building on campus. All guests must follow the University's safety protocols.

Selected artists may be required to take headshots for a temporary University ID card.